Making the Comic

The Ups and Downs of writing Middle Grade Books and Webcomics

Read “The Conjurers” webcomic from the beginning here. Or click here for the latest episode.

Read “The Conjurers” webcomic from the beginning here. Or click here for the latest episode.

The Conjurers Webcomic is back! Yep, I’m posting about it again. And I’ll be posting a lot more often. From the beginning, the webcomic was a simple, quick exercise while I was writing the books. It was a small break from plotting, writing and rewriting (and rewriting and rewriting…), and illustrating the novels. Over the years I’ve learned you need creative outlets on the side to keep your main work fresh. At the same time, that outlet can't eat up all your time.

So I compromised. I would do another comics project so long as I could do it quickly and it was related to “The Conjurers”. A webcomic was the perfect medium. I could take secondary characters from the book and send them on their own adventures. It was more beneficial than I could have ever imagined. It helped make two dimensional characters more 3D. I got to see how they behaved when they were the focus of the story. So while the comic was done in a rushed (and admittedly sloppy fashion), the characters became more real and those little details made their way into the books.

In this latest story arc, one such character became even more important. If you’re all caught up on the comics, you know a bit about Latif. She was created strictly for the comic. Cut to writing book three. My main antagonist (one of my favorite characters to date) had a complex backstory that was interwoven with other characters in the book. In order to pull it off, that meant there was a lot more story which meant a much bigger book. Too big. My editor suggested we had to cut her out of the story. That’s the kind of story note you want to ignore or fight or stomp your feet until you get your away. Except that she was right (as usual). 

What does one do with a first draft of a book which has suddenly had the main bad guy ripped out? You could toss it. That of course is a bit drastic considering there are two books that come before it. Or you freak out for a few days until suddenly, yo remember that little side experiment you’ve been scratching away at once a week. And you realize your have the perfect antagonist ready to go: Latif. 

Yep, the cold, mechanical Dr./Pharmaceutical billionaire that came out of nowhere in a webcomic story that was not related to the books was suddenly the star of book three. Her backstory was not as complex or intertwined with the previous plots of books one and two. Which meant she could fit perfectly into book three. On top of that, she’s my kind of villain, in that she does not see herself as a villain. Latif believes she is the hero. 

Now I can’t go on too much more without giving away spoilers. I can say that my former antagonist, Mekinda, will have her story told one way or another. Maybe in the webcomic, or maybe, hopefully, in future books. In the end it’s another valuable lesson that telling stories is not always a clean, straightforward process. Sometimes the biggest hurdles become the sweetest moments of inspiration. 


Return of "The Conjurers" Webcomic

Yep. Finally. Now that all three novels are written, I’m slicing off a smidge of time to bring back the webcomic. There’s still a lot of work to be done on books two and three. A ton of fine tune editing and all the illustrations. However, with book one coming out next July, I wanted the webcomic to revived and breathing well before the launch. Mostly because, even though it’s a rag-tag experiment, I love it. I love getting to visit the cast of “The Conjurers” books outside of prose filled pages.

Also, I know as a reader, it’s always cool when yo can visit a fantasy world in multiple mediums. And it’s super cool when you can visit that world while waiting for the next book to release. Besides, there are so many people and creatures and places in the Conjurian that I want to see. The best way to do that is an ongoing comic.

The next installment will launch on Halloween, which falls on a Thursday this year. There’ll be a new episode every Monday after that. If you have no idea what I’ve been rattling on about, you can read the comic from the beginning here: https://www.gocomics.com/the-conjurers

A new Conjurers Webcomic Page

Still trying to get two pages up a week. It would serve the story better to keep things moving instead of falling into the rhythm of a weekly cliffhanger. Mostly it comes down to spending spare moments scratching at the plot and scripting out a few pages at a time. The art side of things is getting faster. Hopefully not too fast that it comes off as sloppy. The Conjurers Comic Strip on GoComics.com 

Hints of Houdini in this weeks Conjurers Comic

Head on over to gocomics.com to read the latest episode of the Conjurers comic. I'm trying to get another page up by Friday. There's a lot going on in this sequence and I'd rather not make everyone wait a week between scenes. So, I'll kick in a little over drive and pump out some pages. It'll help me get a better handle on this "quick" style. It's odd attempting to produce pages rapidly and still make them look cool. The Conjurers Comic Strip on GoComics.com

Comic Process, page 43

 painting comicsHere's a quick shot of page 43 in progress. This entire comic has been an experiment in process. I knew going in that it had to be fast. I'm used to tightening my pencils with a vice grip before inking. For the Conjurers comic, I'm slowly refining the speed approach. After thumbnailing the page I rough it out with blue lead, focusing on shape and placement. It's hard to shut off the detail side of the brain, but it's getting easier. After that I go right in with inks. These days, I'm having fun trying different ballpoint pens. Avoiding my brushes and technical pens keeps my from tumbling into the pit of over wrought crosshatching and stippling.The magic happens when subtle, sloppy watercolors are sloshed on. This has been the hardest lesson. Go lightly into the night with a soaked brush and diluted pigment. Less is more on the first pass. I brush in light shadows, again, focusing on defining shapes and light. After that, I break out a shredded sponge and dabble on some texture with an eye for how hit spotlights the important bits.After this, it gets tossed into photoshop for finishes and lettering.

Working without panels

imageQuick peek at some art from page 40 of the webcomic. For this project I have to work fast and small. Usually on letter size paper. And fast. Did I mention fast?One draw back: after a time, I tend to suffocate my work under those constraints. Panels become flat, emotionless. So, to break out of that, I draw the shots and scenes on larger paper. Let my hand move further, wilder. That lets me work fast and punch in some emotion.After the shots are drawn, I'll composite them in photoshop in their letter sized pixel cell.

Pencilling the next page.

20131008-132912.jpgHere we go on the start of the next page. Script is done, and you can see some of the thumbnails in the sketchbook. Thumb nailing from the script is always another rewrite.As you can see I'm going long form again with this page. In fact, I think, from here on out, all pages will be this size. Cuts down on speed but makes a lot more room for storytelling. And I'm continuing to evolve the style. On this page, my main focus will be form and value. Cutting waaaay back on the heavy atmospheres. Only when necessary. I'll post more steps along the way.

Painted page before scanning

20130805-131521.jpg
Here's a page before I scan it in. I try to keep everything loose. Almost like an under painting. Then I can shape it and paint some more layers over it in photoshop. The main focus is on value. Something I need to work on. Always reminding myself to not jump ahead and just get the lights and shadows to a place where I like them. Then I add in details. Subtle stuff goes a long way. That's another hard lesson for me.

Making the Comic

Since I'm a bit more comfortable with how I'm making this comic, thought I'd share my process. And it is now a process. A changing one, but far from the muddled series of penciling and ink wash methods it started out as. Right, here a pic of the scanned in art:Comic processNow the original page is actually a piece of heavy bond, gray printer paper. Kind of starts you off with a nice tone. On top of that I pencil in the art. Smudge some of the pencil. Add some watercolor washes on top to build up some volume. Sometimes I add ink to some parts, usually things I want to have stand out. I'll do some finishes with white paint or a few more texture washes. Then I scan the whole mess in. Truthfully, I am forcing myself to stay loose and keep it messy.Once I have it scanned in, I duplicate the original art. This new layer becomes my smudge painting. In essence, via the magic of photoshop, I use the pencil, ink and watercolors as an underpainting. And after smushing things about I get this:page21_process_smudgeAnd that's where I am on this page right now. I'll post the next few steps once I get them done.